23 Comments REDROCK ‘BEASTMASTER’ FINALLY UNVEILED…

Article written by Skidblog on the 19 Sep 2010 in Featured Videos,New Production Work,New tech

SKIDVID1 – THE REDROCK BEASTMASTER – WORLD FIRST from Robin Schmidt on Vimeo.


WARNING: THIS HAS A WHIFF OF INSANITY ABOUT IT.
I’ve been talking about the ‘Beastmaster’ for a couple of weeks now, a kind of skunkworks project I’ve had in mind for a particular style of shooting, one which you could only really achieve with DSLRs. The idea was to build up my Redrock handheld rig to take not one but two DSLRs and shoot two lens sizes (not angles) concurrently. Why on earth would you want to do that, I hear you ask, and more importantly, how on earth would you operate them? Good questions both of them. Well, I was recently approached by a character calling himself the Super Massive Raver who wanted to take his Youtube rants to a new level. I watched his stuff and it was pretty funny so I said I’d get involved. The kind of stuff we’re shooting involves some pretty crazy stunts, like walking down a busy high street wearing a bacon bikini etc. etc. and we really don’t want to hang around too long. Having the two cameras going at the same time means we don’t need to stick around for any longer than we need to. He does a lot of talking to camera and there’s usually a lot of cross-cutting, plus he uses his hands a lot, so the plan has been to rig the 7D with the Tokina 11-16 to get all those cartoony hip hop style distorted hands and faces, and mount the 24-70L to the 5D for everything else. We have to be very mobile and the guy jumps around all over the place so focussing is an absolute nightmare. That wide shot gives us a safety net to jump back to if anything goes wrong. The wide shot is set to a reasonable aperture so it’s always in focus and then you just head to the gym and start working on building a very strong back!

IMG_0345

So how do you go about building such a thing? Now, there’s two ways to do this, side by side or one on top of the other. I actually had a play with this kind of idea a while back when shooting for Porsche but never got a chance to actually test it out in the field. I’ve done a lot of work trying to get my handheld rig to really work ergonomically, and, more importantly, suit the biomechanics of being a human being. Once you started building wide rigs, as in the picture, your arms and wrist are having to work so hard to keep the rig steady that it becomes incredibly tiring very quickly. Basically, you want as much mass as a possible hung over the main rails that the shoulder pad attaches to, you can build tall but always avoid building too wide because it just knackers you out. That’s just basic physics and one of the biggest gripes I have about the way manufacturers have designed their gear – it hasn’t been thought out around the key component, the human being lugging it around. I’m all for keeping a rig as lightweight as possible but actually, I don’t mind weight if it’s distributed properly. Which leads me on to the Beastmaster V1 rig. Why do I call it the Beastmaster? Well, it weighs around 20kg and, well, just look at it!

Vincent Laforet gets lots of shit for loading up his rigs with tons of stuff, well, everything that’s on my rig I actually need. I have the Zoom, I have the monitor, and I have the two cameras. I have the 7D mounted vertically, upside down directly underneath the 5D and that keeps all the weight over my shoulder. The 7D is tethered to the frame of the rig, just in case anything happens, and, would you believe it, I actually managed to find a use for my Z-Finder, using the handy lanyard to attach the 7D – surely the most expensive lanyard on the planet? Finally I have not one, not two, but three Redrock counter weights slung over the back using the micro-balance vertical drop system. I love that microbalance because it gives you another point of contact to brace yourself with and keep the beast stable.

I AM THE BEAST!!!!!!!

So, how was it? Well, I’ve done my first in-front-of-camera piece ever on this blog, something I’ve been avoiding doing because it just makes me look like any other tit doing these blogs, but for once I kind of felt it was necessary. Sporting a rancid haircut and boyband sunglasses I haven’t done myself any favours, but hey ho. Shooting with the rig wasn’t as bad as I thought it would be and it definitely helped having the second camera rigged up and shooting for our purposes. You wouldn’t believe how many people were stopping in the street to check out what we were doing, but then, when I look at the photos it’s kind of to be expected. It’s a fine looking thing! It is a bit of a fiddle having that second camera upside down and I’m going to do another version where we have the two cameras mounted side by side and see if I can get it to work as it would definitely be better, but I’m off to Hong Kong in January and this is the rig I’ll be shooting on so time to get in the gym. As you can see from the pic below, it does take its toll!

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23 Comments Subscribe to these comments.

September 19, 2010 7:03 PM Sam Morgan Moore @Twitter ID Website Reply

and on sticks..

the 7d is the a cam running at 60p

http://vimeo.com/9899164

Redrock – you dont need to spend the money ..

http://www.halfinchrails.com/hir/pics/hir_010310/1.jpg

S

2010-09-19 19:12:14 Skidblog Website

haha, love it. I want to do a lot more of this, for this particular project, but I need to do more work on getting the thang balanced and comfortable and easy to use. I definitely think for what I'm doing the 7D slow mo safety cam is going to give us a lot of joy. I have a mountain of shots to get in Hong Kong and no time to get them. You have to remember to turn over on both cameras and the Sound recorder, lots of things to check off before you call action anyway. You definitely don't have to spend money on the Redrock stuff, but the thing is, when I bought mine, there really wasn't a huge amount of choice in the UK.

September 19, 2010 7:12 PM Noel @Twitter ID Website Reply

That is a world of crazy. 2 cameras. And not even for 3d :)

Pretty impressive/

2010-09-21 10:43:12 Skidblog Website

Heavy, but not that crazy... it's a workable idea and needs more development but I enjoyed using it.

September 19, 2010 8:00 PM Nick Turpin @nickturpin Website Reply

Nice innovation, that’s what creativity is all about. Good luck to you.

2010-09-21 10:43:48 Skidblog Website

Well, the rig means nothing if it doesn't contribute to the final product. In this case it's about 50-50, I need to do more work on it to get the results I'm after but it's a good start.

September 19, 2010 9:31 PM Sean @Twitter ID Website Reply

You’re insane, but insanity leads to innovation and that rig looks amazing.

What f-stop range were you keeping the tokina at for the deep focus?

2010-09-21 10:44:31 Skidblog Website

I was around f5 on the Tokina, but I need to get that bad boy up at the level of the other camera so I can be more flexible with it.

September 19, 2010 10:58 PM Justin @Twitter ID Website Reply

He, he this is really good stuff , thank you
Isn’t the camera assistant the dancer i just saw fooling around in the other films? I must say the films do look good but not sure about her dancing, tad self indulgent and what’s with her moody faces?

2010-09-21 10:50:51 Skidblog Website

Fooling around....!? Wow, she was not happy about that comment... she's a professional contemporary dancer and choreographer and that's how it works. Self-indulgent? Well, each to his own.

September 20, 2010 12:44 PM Mart @Twitter ID Website Reply

Sweet rig! Dunno about the raver though, looks like his meat fetish has gone too far!

One question though, wouldn’t it have been better to stick the wide angle lens on the 5d? Given the crop sensor of the 7d reducing the viewing angle I would have thought you would have had more flexibility sticking it on the 5d.

2010-09-21 10:53:38 Skidblog Website

Lady Gaga piss take, and yes, he's for real!

As for the crop sensor on the 7D, yes it affects lenses like the 50mmL for example but lenses like the Sigma 30mm 1.4 and the Tokina 11-16 are designed for APS-C cameras. The Tokina is pretty much the only super wide designed for that sensor making it a must-have for 7D owners. You can actually stick it on the 5D and zoom to 15mm and above for an absolutely mind-blowing wide shot. That would be too much for this though so it sits on the 7D and works beautifully.

September 20, 2010 4:40 PM PhotoCine News – The definitive destination for HDSLR filmmaking. Website Reply

[...] Skid also known as British filmmaker Robin Schmidt, has created what he is calling the Redrock BEASTMASTER which is two DSLRs mounted vertically on top of each other allowing him to shoot two lens sizes [...]

September 20, 2010 5:42 PM Mrs Ashw @Twitter ID Website Reply

Robin,
Smart use of gear, or should I say kit :-)
Built for function and not looks.
Keep innovating…
And don’t forget the Master Class :-)

http://www.youtube.com/watch?v=nXx6aXHWysY

September 20, 2010 8:12 PM Neil Smythe @neilsmythe Website Reply

That is one impressive rig. In the modern world where we’re all under pressure to produce more for less, innovation like this is the future.

2010-09-21 10:56:14 Skidblog Website

I'm not sure it is you know, but the reason I'm doing it is, well it's because I can,
so why not. Which is kind of one of the reasons we all started shooting on the DSLRs in the first place. Booya.

September 23, 2010 5:52 AM VFX-Anomaly @Twitter ID Website Reply

I’m really curious as to how it was mounted, No offenses but for future reference please shoot your photographs of custom rigs with less shallow DOF,
please!!!
It seems many are shooting video and photographs of
their gear and forget that it is best viewed flat.
How can we see how cool the rig is with that crazy shallow dof?

Think about it.

2010-09-23 08:43:53 Skidblog Website

None taken, I know they're crap, I didn't actually take them myself but that's no excuse! Noted and in future, they're going to be much more explicit. Anyway, the 5D is mounted using the Redrock DSLR baseplate, and the 7D is mounted with a Redrock MicroMount which means it has a tendency to work loose and rotate, but it wasn't too bad. I used the lanyard from the Z-finder to tether it to the rig so that if anything happened it wasn't going to go crashing to the ground.

Sorry again about the photos, not cool.

September 23, 2010 6:26 PM henry @Twitter ID Website Reply

After seeing your rig I watch a video on cheesycam.com and thought of you

http://cheesycam.com/flexible-friction-power-arms-for-dslr-accessories/

He’s used flexible arms. You guys are crazy lol.

September 23, 2010 8:16 PM Simon Cheyne @Twitter ID Website Reply

Skid,

I do a lot of handheld rig work with the 7D(although not with two simultaneous cameras) but when using the follow focus I find that if you position the right handgrip so it is more horizontal, you can use it as a resting point for your palm and pull focus with your fingers.

Not sure if the redrock has adjustable handgrips, it should. It may be something for you to give a try. For me it makes everything a bit more stable. Cheers Bro!

September 27, 2010 3:06 PM Marcelo Lewin @newmediadude Website Reply

Thanks for posting this. I think you’ve got yourself a really killer rig there. Now, if you can do a “3 camera” rig, to get 3 different angles, that would be cool! (Maybe add a “flip” camera on top of the 5D?! ;-)

2010-09-29 07:32:50 Skidblog Website

Well, I was thinking of mounting a Digibeta to each knee and locking them in place for perfect dog's eye view 3D. No-one will see it coming!

February 25, 2011 4:49 PM Previews of New Gear from NFS Sponsors DitoGear, Cinevate, Zacuto, and Ikan | NoFilmSchool Website Reply

[...] fact that HDSLRs are so unergonomic has given rise to shooters attaching all manner of accessories to their camera in an attempt to make the device behave like a “real” movie camera. But [...]

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